Sign painters in decades and centuries past didn't necessarily consider themselves artists, but they were definitely communicators on a giant scale. There work was as small as a card in a window and as large as the side of a building or the roof of a barn. The job was to make information as understandable as possible through size of letters, placements of words, and use of color. The information had to be comprehensible even from a moving car and persuasive. The point of the sign was to influence the viewer: to draw them into a shop or bring them to a tourist attraction or to sway them to try a product. The message had to be unmistakable.
(Left) Uneeda Biscuit advertising mural on the side of the Union Hotel in Meridian, MS.
(Right) "See Rock City" barn roof gets a new coat of paint.
God gave the same kind of sign to Ahaz, even when Ahaz didn't want one. God's sign was a young woman who would have a child. The child would eventually replace Ahaz on the throne. God wrote it big. So big that we don't hear from Ahaz again in scripture until Isaiah 14:28 in an oracle dated the same year as Ahaz' death.For additional information on the (almost) lost art of hand-painting signs, see The Pre-Vinylite Society, Brain Pickings, Craftsmanship Magazine, or the film.
For thoughts on Matthew 1:18-25, click here.
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