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The Roman single-arch structure was further adapted into a three-arch design (third photo from top, Arch of Constantine, Rome). The three-arch triumphal motif was then applied to the front of the cathedrals (bottom photo, west facade, Amiens Cathedral, France). Though Amiens' facade is in the Gothic style (with pointed arches rather than round Roman arches) its larger center arch and smaller side arches echoes Constantine's arch. Do you think that medieval worshipers remembered the idea of triumph as they came to worship? Does the three emperor-inspired arches give us the sense of Jesus' entry into Jerusalem - the entry we call "triumphal".
One last detail ties Psalm 118 to our cathedral portals: the tympanum sculpture over the center door. Christ sits in majesty over the middle door. This is the gate of the Lord, the psalmist says. The righteous shall enter through it. In the Amiens Cathedral tympanum Christ sits enthroned above the door, judging who is righteous enough to enter through it.
For worshipers standing at that door, at that portal, this is the gate of the Lord. And the righteous shall enter through it. Blessed is the one who comes in the name of the Lord.
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For additional thoughts on the donkey, click here.
For additional thoughts on the palms, click here.
For thoughts on the rejected cornerstone (118:22), click here.
The entry into Jerusalem on a sarcophagus? See Art&Faith Matters' Facebook page.
For thoughts on the rejected cornerstone (118:22), click here.
The entry into Jerusalem on a sarcophagus? See Art&Faith Matters' Facebook page.
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