Here Solomon prays that God's presence will fill the temple and that the people will know that God is with them and will hear them (and the foreigners living among them) when they pray. The building is a sign of the presence; it does not contain - or restrain - that presence according to the text. But even as "only" a sign it is a reminder to the people of God...then and now.

The composition of the dedicatory prayer segment is interesting in several ways. It differs from scripture, which identifies Solomon as standing before the altar. Here Solomon kneels outside the temple. He kneels on a column that bridges the gap between one corner of the quatrefoil and the entrance porch of the temple. This allows him to have his knees on a level with the floor of the Temple. The shape of the quatrefoil also drives the design of the king's bowed head.
Solomon's "Temple" bears more resemblance to a medieval cathedral than to the description in scripture, and Solomon is attired more like a European king than anything else. Neither of these things is surprising. But in the artist's transference from the Middle East to medieval Europe, we are reminded that all the faithful people would be well-served to remember the attitude of prayer by Israel's leader. Often, I think, we pray when we are in our congregational buildings. We offer prayers of intercession and thanksgiving, petition and praise for the people of the world. But it might be beneficial from time to time to stand outside our buildings and pray as Solomon is praying in the Amiens interpretation. Pray that the people remember and turn.
For thoughts on John 6:56-69, click here.
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