(Left) Processional cross (Gondar). Late 18th century. Brass. Michael C. Carlos Museum, Emory University, Atlanta, GA. http://www.carlos.emory.edu/content/processional-cross (Right) Processional Cross. 15th century. Walters Art Gallery, Baltimore, MD. http://art.thewalters.org/detail/4545/processional-cross/
One of the most striking class of art objects of Ethiopian Christianity are the processional crosses, crafted so that the metal cross can be put on a pole or shaft and carried through the streets of a town or even just around the place of worship. Sometimes made of white metal but also found in brass and bronze, the processional crosses were often decorated with swaths of fabric, slipped through the metal rings found on both sides of the metal housing for the wooden shaft. As the cross is carried through the streets (or sanctuary), the fabric - perhaps an echo of Mary's veil - flutters in the breeze, bringing additional life and movement to the cross. The design of the shaft also means that the cross can stand on its own, without a pole.
The crosses have a variety of designs and shapes, some related to the geographical origins of the cross. In general, the Lalibela crosses are oval, the Gondar crosses are circular, and the Axum (sometimes Aksum) most similar to the shape of a cross. The cross designs began developing as early as the 12th century, though very early crosses are expectedly rare.
(Left) Processional Cross (Axum). 14th or 15th century. Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY. http://museum.cornell.edu/collections/view/ethiopian-processional-cross.html (Right) Processional Cross (Lalibela). Believed to be 12th century. Bet Medhane Alem, Lalibela, Ethiopia.
The bronze crosses have been made using the lost wax method. In that process, a wax cross is created and then encased in clay, which is baked. In the baking, the clay hardens, creating a mold of the wax original, but the wax itself melts and runs. Molten metal is poured into the cooled clay mold. After the metal is cooled, the clay mold is broken, making every cross a unique object - as both the wax original and the clay mold are destroyed in the process. Scripture places Ethiopia's historical Christian roots firmly in the apostolic age, giving the people of Ethiopia a Christian tradition that is millennia old. By the fourth century, Ethiopia is officially Christian. From that time, Ethiopian Christians have used many forms of the cross - Greek cross, Latin cross, cross pattee - but they have made them their own, and in doing so have created a distinct witness to the life, death and resurrection of Jesus.
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