Showing posts with label golden calf. Show all posts
Showing posts with label golden calf. Show all posts

Sunday, September 27, 2020

Exodus 32.1-14: Why the Bull?

I appreciate the irony that the blog about art and faith seems compelled to write about the idolatry surrounding the Golden Calf every time the story shows up in the lectionary. I know, though, that idolatry isn't bound to follow art. And I think that the story says way more about human nature than it does about the nature of art. So, today...why the bull? 

It's probably not much of a mystery why Aaron made a calf (Exodus 32:1-14). Three different bull-worshipping cults were active in Egypt. The cult of Apis was the most prominent. Apis was worshipped in the region of Memphis, Egypt. Believed first to be manifestation of the god Ptah and later associated with Osiris, Apis bulls (real, live bulls) were identified by particular markings. The chosen bull lived out his life treated like a god. At their deaths, Apis bulls were buried like kings. Tombs of more than 60 animals have been found.

Follower of Filippino Lippi. The Worship of the Egyptian Bull God Apis. c. 1500. London: National Gallery.

It's easy to spot what is different in the version of the golden calf above, isn't it? Usually the calf is rigidly posed on an altar or plinth. It is sometimes draped with wreaths of flowers. See Poussin's version here. Here, like the cow that jumped over the moon, the creature is airborne, and not just suspended in midair. The artist has shown the animal twisting and turning, as if it has come to life above the dancing, celebrating people (who are clearly from Western Europe). It is a beautiful sunny day with a blue sky and puffy white clouds. This seems more nursery ornament than occasion for sin and idolatry. 

The construction of this golden statue was ostensibly to establish the "real" god of the people now that it appeared Moses and his God would not be coming back to lead them. The act has given the world not just a single story but also a seemingly timeless metaphor for idolatry. What was it that the calf represented that made it so much more attractive than any other option? I suspect it was the past. In Numbers 11:5 we hear the people remembering the good old days of Egypt: free fish, cucumbers, melons, leeks, onion, garlic. Wasn't it great in Egypt? Well, maybe. Except for the slavery part. 

Maybe this is a case where the people thought, well, better the devil you know... But it's still delusional. The good old days weren't good, leeks and onions aside. The people couldn't wait to get out of Egypt when Moses set it up. But now, they need something new and shiny to follow. It's the story of humanity, isn't it? Enthusiasm, boredom, seeking something new. Or in this case, something old all shined up to delude the people into thinking it is new...and in their best interests. But that's just bull. 

This week on Art&Faith Matters on Facebook...a multi-million dollar golden calf. 

Sunday, October 5, 2014

We'll Meet Again

Golden calf. Golden calf.
Worship of golden calf. Worship of golden calf.
People of God. People of God.
Appointed leader. Appointed leader.

Are they the same subject? The two images are very similar and the subject might be confused, but there are differences worth noting...and similarities worth noting, too.

Nicolas Poussin. The Adoration of the Golden Calf. 1633-1634. Oil on canvas. National Gallery, London. 
http://www.nationalgallery.org.uk/paintings/nicolas-poussin-the-adoration-of-the-golden-calf

Jean-Honore Fragonard. Jeroboam Sacrificing to the Idols. 1752. 
Oil on canvas. 48 1/4 x 61 1/2". Ecole des Beaux-Arts, Paris.
http://www.beauxartsparis.com/collections-et-ressources/les-peintures/70-les-peintures 

The top image is, indeed the worship of the golden calf from Exodus 32. It contains all the elements we expect from this story: the calf statue, licentious behavior, a desert setting. The lower image also has the calf statue, but it is not depicting the Exodus story. The Fragonard painting illustrates a passage from I Kings 12. 

At that point in Israel's history, Jeroboam, first king of the northern kingdom of Israel breaks the covenant depicted in the Poussin painting. Jeroboam sets up two golden calves, one in Dan and one in Bethel. The statues were erected so the people would not (have to) go to Jerusalem to offer sacrifices and be tempted to put Rehoboam back on the throne. When the statues were placed, Jeroboam said to the people, "Here are your gods, O Israel, who brought you out of Egypt." And he made sacrifices and offerings at one and then the other. That's several of the Sinai commandments broken all at once. 

It's deja vu all over again. 

Check the Art&Faith Matters Facebook page for another take on this text. Click on the link at the bottom of the page. 

For thoughts on the Philippians passage (4:1-9) matched with this lectionary text, click here.