Trinity Sunday: Explaining

How to explain the Trinity. There have been books (with lots and lots of ink spilled) going into minute detail. There have been analogies: the Trinity is like an egg - shell, yolk, white...or the Trinity like a candle - wax, wick, flame. There have been visuals. Some are pictorial - Jesus on the cross, a dove above his head, and an old white guy at the very top of the picture. Some visuals are more diagram - like the shield of the Trinity below. Around the outside of the triangle we are reminded that the Father is not the Son is not the Spirit is not the Father. Moving from the corners to the middle of the triangle we see that Father, Son, and Spirit are all God.

John 16:12-15 is one of the scripture passages where all three persons of the Trinity are mentioned in some kind of relationship. There are others in scripture. But none of those verses offer a definitive explanation of just how the Trinity relates to one another. So theologians have stepped in to try to explain.

Augustine (354-430) was one of those who attempted an explanation. His work De Trinitate (On the Trinity) is not his most well-known work, and, in fact, it was published before it was completed to Augustine's satisfaction. But in it he does try to explain the Trinity to the critics of the doctrine (remembering the issues around the controversy answered in orthodoxy by the Nicene Creed's  assertion of Jesus as "of one substance" or the same substance as the Father) and to remind Christians that they should remember themselves as made in the image of a triune God.


Not surprisingly, undertaking to explain the Trinity could be a daunting task. A legend (based on nothing written by Augustine) says that while Augustine was wrestling with De Trinitate he had a vision. Augustine was by the seashore when he saw a child with a seashell (or a spoon). The child had dug a hole in the sand and was running between the ocean and a pool of water that had gathered in a hole. When asked by Augustine what was happening, the child replied, "I am emptying the ocean into this pool."
     "Impossible!" Augustine pronounced.
     The child, apparently unawed by the learned theologian, replied, "I'll empty the ocean into this pool before you manage to understand and explain the mystery of the Trinity!"
     The legend concludes with Augustine turning around, only to find the child had disappeared. So Augustine was left alone with the mystery of the Trinity.

And in many ways, so are we.




(Left) Botticelli. Vision of St. Augustine (detail from the predella - pictures below the main image - of St. Barnaba Altarpiece). c. 1488. Florence: Uffizi Gallery. 
This week on Art&Faith Matters on Facebook...alternate depictions  of Augustine's legendary vision. 
For thoughts on Proverbs 8:1-4. 22-31, click here and (in a brief mention) here.  

Luke 4.1-13: Tempted by What...or Whom

Jesus, full of the Holy Spirit, returned from the Jordan and was led by the Spirit...to Rome? According to Renaissance superstar painter Sandro Botticelli that seems to be the case. In the fresco he painted as a trial for working in the Sistine Chapel, Botticelli crafted a large-scale scene that included all three temptations of Jesus (Luke 4:1-13). In addition, we see a leper healed by Jesus, the High Priest who will perform the ritual cleansing, a young man carrying a basin of water, one woman bringing two birds and another woman bringing wood - all of which would be used in the cleansing. And in the upper parts of the fresco are three scenes with Jesus.

Sandro Botticelli. Temptations of Christ. 1481-82. Sistine Chapel, Vatican.

At left is the first temptation: to turn stones to bread. In the center is Jesus at the pinnacle of the "Temple" (or the pinnacle of Santa Maria in Transpontina in Rome -  in its medieval church that was destroyed and replaced in the 16th century). At the right is the final temptation where the devil is given his comeuppance.

For the most part the temptations resemble other depictions. One of the interesting details is the appearance of the devil. Though unmasked in the final scene (upper right), in the other two (stones and top of the temple) the devil appears as a medieval hermit. Why? What might that mean?

And this is not the only time that the temptations have come to Jesus via a hermit. In the 1965 movie "The Greatest Story Ever Told," the temptation scene takes place in a cave to which Jesus has climbed. The temptations are put before Jesus by the devil in the guise of a hermit (played by Donald Pleasence).

Do these depictions honor hermits or criticize them? In each of the episodes in the paintings, there is at least a small element of the true character of the "hermit" visible. A bird-like talon foot peeks out from under a robe. Skeletal wings emerge from the hermit's back. We know who this really is. We are not fooled. The question is whether Jesus will be. 

Not everyone believed the eremitic life to be a wholesome approach to the Christian life. Bernard of Clarivaux wrote in a letter (Letter LIII to "Another Holy Virgin of the Convent of S. Mary of Troyes"): If one would live in an evil manner, the desert brings abundant opportunity...The evil that no one sees, no one reproves. Where no critic is feared, there the tempter gains easier access, there wickedness is more readily committed. 

Does Botticelli understand the devil - the fallen angel - as a hermit who has given in to the temptations that plague the solitary Christian and now seeks to tempt others? Is Botticelli reminding us that it's too easy to believe that temptations are spotted as wrong choices from half a mile away? Does the hermit symbolize the idea that more often temptations come disguised as a "good"? Do we learn from this that Jesus alone in the wilderness was no more immune from temptation than any other religious solitary?

The end result mirrors scripture as Jesus resists temptation by quoting scripture, and the devil falls off the mountain, the hermit's robe disguise gone for good, exposing the devil's real character. Jesus knew the devil, but he also - more importantly - knew God. Jesus' perfect handling of this situation is our model for the season of Lent. whether we are giving up something or taking on a spiritual discipline. It's worth remembering that we are human and may not handle our own wilderness season as well as Jesus handled his. We do need to resist the temptation to beat ourselves up about that. 

This week on Art&Faith Matters on Facebook...a suggestion for a Lenten discipline. 
For additional thoughts on Luke 4:1-13, click here.