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Jacopo Tintoretto painted at least ten different versions of the Last Supper. They are busy, active scenes - quite a contrast to the solemn poses and perfect perspective of, say, Leonardo's iconic version. In Tintoretto's compositions, the disciples are not alone with Jesus - other people are present. In one version, the dishes are being washed in the same room as the supper while smoke and doves fill the space. In the version at left (top), now hanging in Venice's Santo Stefano church, a dog is shown on the steps directly beneath Jesus. The line of the dog's body, which points directly to Jesus, is echoed by the line of a child (to the right of the dog) and by the line of a women (to the left of the dog). Dog, child, table, woman. The reference is to Jesus' conversation with the Canaanite women.
The bottom left image is another of Tintoretto's versions of the Last Supper. There is another dog present on the steps leading up to the table where Jesus (at the back of the room) is eating with his disciples. What do you see in that image? Is there a woman and/or a child? Who are the human figures on the stairs? Is there something about those people that should make us think of crumbs falling from the table?
As we gather around the Lord's table, we should mind our own table manners. Is everyone being served? Is everyone welcome? Is anyone relegated to receiving only the crumbs that fall from the table?
(Top) Tintoretto. The Last Supper. c. 1570. Santo Stefano, Venice, Italy.
(Bottom) Tintoretto. The Last Supper. 1579-81. Scuola Grande di San Rocco, Venice, Italy. http://www.scuolagrandesanrocco.org/home-en/tintoretto.
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This week on A&FM's Facebook page, a look at Psalm 133. Click on the link below.
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